Musical Metacreation
Papers from the 2012 AIIDE Workshop
Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Cochairs
AAAI Technical Report WS-12-16
published by The AAAI Press, Palo Alto, California
This technical report is also available in book and CD format.
Contents
Organizing Committee
Philippe Pasquier
Preface
Philippe Pasquier, Arne Eigenfeldt, Oliver Bown
Maxine’s Turing Test — A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music
Ritwik Banerji
Autonomy in Music-Generating Systems
Oliver Roland Bown, Aengus Martin
Creative Partnerships with Technology: How Creativity Is Enhanced Through Interactions with Generative Computational Systems
Andrew Robert Brown
Quantum Composition and Improvisation
Dale E. Parson
Computational Music Theory
Georg Boenn, Martin Brain, Marina De Vos, John Ffitch
The Melody Triangle: Exploring Pattern and Predictability in Music
Henrik Ekeus, Samer Abdallah, Mark Plumbley, Peter McOwan
Automatic Orchestration for Automatic Composition
Eliot Handelman, Andie Sigler, David Donna
Meta-Score, a Novel PWGL Editor Designed for the Structural, Temporal, and Procedural Description of a Musical Composition
Mika Kuuskankare
Algorithmically Flexible Style Composition Through Multi-Objective Fitness Functions
Skyler Murray, Dan Ventura
Improvising Musical Structure with Hierarchical Neural Nets
Benjamin D. Smith, Guy E. Garnett
Mezzo: An Adaptive, Real-Time Composition Program for Game Soundtracks
Daniel Lankford Brown
FreshJam: Suggesting Continuations of Melodic Fragments in a Specific Style
Tom Collins, Christian Coulon
Music Design with Audio Oracle Using Information Rate
Shlomo Dubnov, Gerard Assayag
Embracing the Bias of the Machine: Exploring Non-Human Fitness Functions
Arne Eigenfeldt
Xa-lan: Algorithmic Generation of Expressive Music Scores Based on Signal Analysis and Graphical Transformations
Mauricio E. Rodriguez
Demo: A Computer-Assisted Approach to Composing with MaestroGenesis
Paul A. Szerlip, Amy K. Hoover, Kenneth O. Stanley
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